Sunday, 20 December 2020

Robert Julian Yeatman MC (15 July 1897 – 13 July 1968) - a British humorist

Have you read the book “1066 and all that”? It was written by Robert Julian Yeatman MC (15 July 1897 – 13 July 1968) - a British humorist who wrote for “Punch” magazine. 

Robert was born in Oporto, the principal city and port of northern Portugal, where his father was a wine merchant in the family business connected with Taylor's Port.  His parents were Harry Oswall Yeatman and his wife, Benedicta Katherine, nee Page.  Educated at Fonthill Lodge School, East Grinstead, Robert was gazetted as a 2nd Lieutenant in the Royal Field Artillery in 1914, the rank being confirmed in January 1916. He was awarded the Military Cross and m ust have been wounded for he spent time at Polsden Lacey Convalescent Hospital.  After the war, Robert went up to Oriel College, Oxford University.  He went on to work in the advertising industry, advertising manager for Kodak Ltd.

With thanks to Janet Durbin for her research into Polesden Lacey, an Edwardian house and estate, located on the North Downs at Great Bookham, near Dorking, Surrey, UK, which became a Convalescent Hospital for Officers during WW1. In 1915 Mrs Greville was asked to take in wounded officers at Polesden Lacey. Large parts of the house became a convalescence home, staffed by military and volunteer nurses and Mrs Greville’s domestic servants.

Sources: Wikipedia, Find my Past and 

https://www.nationaltrust.org.uk/polesden-lacey/features/polesdens-wounded-officers

http://www.familyletters.co.uk/jim/


Friday, 23 October 2020

Fascinating WW1 facts in this book "An Unladylike Profession: American Women War Correspondents in World War 1" by Chris Dubbs

One of the most amazing things I learnt from Chris Dubbs fascinating book "An Unladylike Profession: American Women War Correspondents in World War 1" (Potomac Books, Nebraska, 2020) concerns the Italian electrical engineer Guglielmo Giovanni Maria Marconi, 1st Marquis of Marconi FRSA (1874 – 1937).

Marconi pioneered research into long-distance radio but that nearly didn’t take place.   Find out what happened to him during WW1 on pages 168 – 171.

"An Unladylike Profession: American Women War Correspondents in World War 1" by Chris Dubbs (Potomac Books, Nebraska, 2020).

For a full review of the book, please see Inspirational Women of WW1 weblog.

Marconi 





Saturday, 12 September 2020

BOOK REVIEW: "Bloody Red Tabs: General Officer Casualties of the Great War 1914 - 1918" by Frank Davies and Graham Maddocks, published by Pen & Sword Military, an imprint of Pen & Sword, Barnsley, UK, 2014

“It is our most earnest hope that when the poppy petals fall at the Service of Remembrance in the Albert Hall each November, people will realise that some of them fall for generals.” (p. xii)


This book firmly knocks on the head the often-quoted phrase referring to the British troops of the First World War as “Lions led by Donkeys” and tells us about the many ‘top brass’ who lost their lives during the conflict, “putting the record straight and doing justice to the memory of the senior officers who have been unable to fight back for so many years.”   

I was particularly interested in reading this book because my Grandfather was an “Old Contemptible” with the Royal Field Artillery.  Having joined the British Army as a Boy Soldier when he was 16, by August 1914 Grandfather was a Sergeant and was married with two children.  Due to the very heavy losses among the Officer ranks of the British Army in the early days of the war, Grandfather was actually commissioned as an Officer in November 1914 - that would never have happened to a working-class man during peacetime.

Frank Davies and Graham Maddocks have drawn on a wide variety of resources to put together this excellent book.   You will find out that, contrary to popular modern belief (it seems the myth about officers may have come from comments made by David Lloyd George in his “War Memoirs” – Chapter 2), many senior officers were killed in the line of duty during the course of the war.  I must admit I was surprised to find out that in 1915, British Army Officers were actually ordered to remain behind the lines as much as possible.  "...Haig had decreed in 1915, as GOC 1st Army, "That no staff officer was to go nearer to the trenches than a certain line" This was because of the danger involved for difficult-ro-replace Staff officers". (page 6).  Nevertheless, many were killed.  You will also discover just how 'safe' the chateaux used as headquarters really were and how many Generals were awarded the Victoria Cross (V.C.).

I found an enormous amount of extremely interesting material in this book and I don’t want to give too much away as I really want you to read it.  Following two chapters setting the scene are two further chapters listing the Generals who were killed, wounded, gasses and/or taken Prisoner of War.  Appendix 1 lists the cemeteries where the Generals are buried;  a comprehensive list of abbreviations is in Appendix 2 and Appendix 3 has a comprehensive Bibliography.  With copious photographs and a painting by WW1 artist Gilbert Holiday, who served with the Royal Field Artillery Western Front as a Forward Observation Officer and was later appointed Reconnaissance Officer on the front cover, this is another must read for anyone with an interest in the history of the First World War.

For further information or to order a copy of the book, please see the Pen & Sword website https://www.pen-and-sword.co.uk/

NOTE:  Eddie Bon tells me that the artist who painted the painting featured on the cover of the book  was Gilbert Holiday, about whom you can find out more on Lesser Known Artists of the First World War.



Thursday, 10 September 2020

BOOK REVIEW “Walking Gallipoli” by Stephen Chambers, Pen & Sword

Written by Stephen Chambers, who is the webmaster of the Gallipoli Association, this book is from the Battleground series published by Pen & Sword and is one of several books Stephen has written about the Gallipoli Campaign of The First World War.

Due to the fact that none of my family members were involved in that theatre of WW1, I only recently became interested in the Gallipoli Campaign.  The main reason for my interest being because the WW1 soldier poet Rupert Brooke died on his way there and one or two other WW1 soldier poets were also involved.  And, although I knew about the British and Anzac involvement, I only recently became aware of the French Army and Navy’s involvement in the Campaign.  Over the years, I have read a great deal of criticism about the Gallipoli Campaign, however I feel it is unfair to criticise unless we have all the facts. In this book, Stephen Chambers sets the record straight about Gallipoli, before guiding us through a detailed walking tour of the battlefields in Turkey. 

There is so much of interest in this book that I could write reams but I was particularly interested to read about the “Evacuation Trail”, featured on page 226.  Sub Lieutenant Ivan Heald of the Hood Battalion, Royal Naval Division (RND) was one of the poets featured in an exhibition of WW1 Aviator Poets held at Cosford Air Show in 2018.   I was fascinated to read that his poem “Evacuation” which you can read on page 227, was published in the “Liverpool Echo” newspaper on 19th February 1916.

I also appreciated the “Dangers” mentioned on page 244 as a warning for anyone visiting Gallipoli – “A lot of the area is still farmland and private property.” And “It is strictly forbidden by the Turkish authorities to remove any artefact from the battlefield”.  There is also a warning about ferocious dogs, wild boar and snakes.

This fantastic book really helps us to understand the Gallipoli Campaign of 1915 in WW1.   With wonderful photographs and maps, a detailed Bibliography and an Index listing the incredible number of different forces involved and the Victoria Crosses (VCs) awarded, it is another ‘must read’ for anyone genuinely interested in the history of the First World War and definitely for anyone planning a visit to Gallipoli.   For further information, or to order a copy, please see the Pen & Sword website https://www.pen-and-sword.co.uk/Walking-Gallipoli-Paperback/p/11183


“Walking Gallipoli” by Stephen Chambers (Pen & Sword, Barnsley, 2019).

Monday, 24 August 2020

General Louis Auguste Adrian (1859 - 1933) – French soldier and designer of the Adrian Helmet used by French troops during WW1

Louis was born in Metz in eastern France on 29th August 1859. After Germany took the town in the Franco-Prussian War in 1871, the Adrian family left the city in order to ‘stay French’.  Metz was returned to France at the end of the First World War. This disruption to his education caused by the move did not stop Louis wining the ‘Grand Prize’ in 1878, awarded annually to the very best students in France. He studied Engineering then Applied Engineering before being commissioned as a Lieutenant with the 3rd Arras Regiment.  By 1885, Louis was a Captain and in Cherbourg, working on the construction of barracks and coastal defences.

In 1913, Louis took early retirment due to health problems but when war broke out in August 1914, he asked to serve again and was appointed Assistant Director of Stewardship for the Ministry of War, with responsibility for clothing and equipping France’s new armies. He acted quickly, liberating 4,000 tons of cloth and wool from Lille, just before the German army marched in on 14th October 1914. The liberated fabric was soon being worn as uniform to replace the previous French Army uniform of bright red trousers and polished mess kits that made ‘le Poilu ‘ easy targets against the countryside they would be fighting in.  As well as the helmets Louis designed temporary barracks for the front line troops.

Then General Joffre commissioned Louis to design a helmet that offered both increased protection and comfort. It had to weigh as little as possible, yet be strong and easy to manufacture in large quantities. The ‘M15’ design was approved at the end of April 1915 and production began immediately at the Japy factory for 529,000 by 1st August 1915 but they only managed to supply 141,000.  Encouraged by Louis and the needs of war, production began to speed up.  By September of that year, 52,000 helmets were produced every month and millions of soldiers’ lives were saved.

On 18th December 1918 a decree was made to award each French officer and solder a ceremonial Adrian helmet and with it a brass plaque that fitted over the visor inscribed ‘Soldat de la Grande Guerre 1914-1918’ (Soldier of the Great War 1914-1918).

Louis’ barracks were used as temporary housing after the war and still in use during the Second World War.

The Adrian helmet remained standard military issue in the French army, evolving slightly into the even stronger M26 for World War II, and was also used by the French police into the 1960’s.

Louis died  on 8th August 1933 in Paris.  There is a memorial to him in Genets in north west France.

Sources:

https://www.wikimanche.fr/Louis_Adrian

https://www.normandythenandnow.com/genets-and-the-man-who-saved-a-million-lives-in-ww1/


Friday, 31 July 2020

Commemorative First World War Exhibition Project

This self-funded project is in memory of my Grandfather, who was an Old Contemptible  with the Royal Field Artillery who survived, and my two Great Uncles who lost their lives in WW1.

I began researching WW1 in 2012 for an exhibiton of Female Poets of the First World War, requested by Dean Johnson, founder of the Wilfred Owen Story museum (The WOS), Wirral, UK.   Once the exhibition was on display, I just continued researching, adding other headings. Inspirational Women of WW1 came about when I stumbled on the story of Canadian artist Mary Riter Hamilton, commissioned in early 1919 by the Canadian Amputees Association to go and paint the aftermath in France and Belgium.  Philip Gosse, MD, a General Practitioner in Britain was the Official Rat Catcher Officer of the British Second Army on the Western Front, which brought about Fascinating Facts of the Great War.  Realisation that Wilfred Owen, Siegfried Sassoon and Robert Graves were not the only male soldier poets of WW1, prompted me to start researching Forgotten Poets of the First World War.  I am now researching lesser-known artists of WW1.

Exhibition panels are e-mailed free of charge to anyone wishing to host an exhibition.  Exhibitions have been held in a wide variety of locations throughout the UK, as well as in Cork University, Ireland and in Delaware University, USA, and panels have been sent to schools.  If you know of a venue that would like to display panels, please ask them to contact me and I will send them the list of panels researched so far. 

If you are interested in exhibiting any of the panels researched so far, a full list of panels available will be sent on request.  Some of the panels have been put into book form – please see http://www.poshupnorth.com/ for details.

LUCY LONDON
Commemorative First World War Exhibition Project

www.fascinatingfactsofww1.blogspot.co.uk
www.inspirationalwomenofww1.blogspot.co.uk
www.femalewarpoets.blogspot.co.uk
www.forgottenpoetsofww1.blogspot.co.uk
http://lesserknownartists.blogspot.com/
https://worldofnadjamalacrida.blogspot.com/
http://greatwargraves.blogspot.com/

Also on Facebook:
https://www.facebook.com/Inspirational-Women-of-World-War-One-187332758143199/
https://www.facebook.com/femalepoetsofthefirstworldwar/
https://www.facebook.com/forgottenpoetsofww1/
https://www.facebook.com/fascinatingfactsofww1/
https://www.facebook.com/groups/385353788875799/

Monday, 20 April 2020

Review: “The Daily Telegraph Dictionary of Tommies’ Songs and Slang 1914 – 1918” by John Brophy and Eric Partridge with an Introduction by Malcolm Brown

“We who have survived are not, in many ways, the same people that we were”  John Brophy, p. 9.

This book is perfect if you are in isolation during the COVID-19 outbreak, bored stiff and looking for something to read. Who can not identify with this sentiment at this time:  “The War was a war not only of physical endurance but of nervous and moral endurance” P. 13.   To my mind, reading this book is a terrific morale booster during these difficult times – at least we are not up to our necks in filthy water, covered in lice and being shot at by artillery fire, rifle fire and machine gun fire at short range.” pp 25 – 26.   Brophy reminds us that “…first a hundred thousand, then a million, eventually several million civilians were hurridly passed to be transformed into soldiers.” P. 14.

The book was first published in 1930 - the two editors had both served on the Western Front during the First World War – and they wanted to record the songs sung by ordinary British soldiers before they were forgotten.   Fifty years on the book was re-published with a Introduction looking back over the intervening years by John Brophy, which is included in this edition. 

From my point of view, as a researcher of verse and poetry of the First World War, it is a shame that none of the songs included give any clue as to the identity of the writer(s). “… they came from the ranks, especially from the private soldiers without ambition to bear office or special responsibility.” p. vii

Following Malcolm Brown’s introduction to the 90-year commemorative edition and John Brophie’s introduction to the 50-year commemorative edition, the book is divided into three parts – Soldiers’ Songs, Soldier’s Slang and an appendix – Other Kinds of Words and Music. 

The songs, the lyrics to which composed by ‘ordinary’ soldiers’, were sung to existing tunes – many of them popular music hall songs; they are divided into seven categories – 1. Satire on War and Mock Heroics; 2. Satire on the Military System.  3. Satire on Superior Officers; 4. Paneggrics of Civilian Bliss Past and Present; 5. Celebration of Drink and Other Comforts; 6. Nonsense and Burlesque.  7. Sex and Ribaldry.

With regrd to ribaldry, it may amuse some readers to note that, as editor Brophy kept in some of the coarse language to be found in the songs but removed two of the most vulgar terms used “…in the 1914-18 Army” (p. 22), replacing them with asterisks – I’m guessing that he did not realise that at least one of those words is an acronym.   On the other hand, if you are used to warnings on television programes made during the 1980s that they ‘may contain strong language and scenes of violence’ then perhaps you too will be shocked by the use of these words.

Immediately after the songs you will find a comprehensive alphabetical Glossary of the slang terms used by the troops during the First World War, followed by an Afterword with Bibliographical notes

I was fascinated to learn that the term “Tommy” to describe a British soldier was dismissed by Brophy and Partridge as “never used by English troops except derisively or when imitating the style of a newspaper or a charitable old lady”, though they admitted that it was used by Australians and New Zealanders.” P. 238.  The Imperial War Museum suggests the origin of the   use of Tommy Atkins to describe a British soldier is disputed. One theory says it originated with the Duke of Wellington who used it in 1843; another says the Imperial War Office established it in 1845 — a sort of British "John Doe!! 

And, while I knew that radio was in use during WW1 for “sending telegraphic messges only, by long and short ‘buzzes’, and there was no amplification by loud speaker at the receiving end”, a generation proficient in the use of the Internet may not. (pp. 16 – 17).

Altogether an extremely entertaining and enlightening book – I urge you to read it.  “The Daily Telegraph Dictionary of Tommies’ Songs and Slang 1914 – 1918” by John Brophy and Eric Partridge with an Introduction by Malcolm Brown (Frontline Books, an imprint of Pen and Sword Books, Ltd., Barnsley, 2019).  For further information please see the Pen & Sword Website https://penandswordbooks.com/ or Facebook Page https://www.facebook.com/penandswordbooks/

Lucy London
16th April 2020